Love Dies In The Light Of Day
Thursday, January 14th, 2010
It is interesting how love moves in a crazy arc: we meet a special person who suddenly appears before us from somewhere in the galaxy of exuberance.
In a nanosecond, the clocks mark time, the moon is full, we float in a champagne haze that is so intoxicating every moment is delicious.
This is love, we know, we hope, and we want to climb onto a rooftop on a windy night and howl it to the world. It is too amazing to keep tucked away as our own little secret.
At this moment of bliss, we rarely know the person we are mad about. It is an image, a profile, a promise that is all wonderfully hazy around the edges. It is beauty and smarts and laughter and the music we make as we stroll into bars and onto lush meadows.
And then a few months go by and there is the first disagreement or disappointment and we start to glimpse through the fog and see just who this object of desire is. And in most cases, the more we learn, the less brightly the wild torch burns.
As even more time goes by, as the dream person becomes an ever more imperfect reality, the wild blush of passion cools and the rationalizing begins. A different kind of love, we tell ourselves, must take the place of the narcotic rush that overwhelmed us when our paths first crossed.
But what is really happening is that the vast majority of what we call “loves” begins to fade in equal proportion to the knowledge we gain about the once and former mystery person.
We do fall in love blindly, hoping that the experience we give ourselves to will prove to be eternal. But the blindness is really so often a key to the passion. As the magic dust clears and the lover by our side becomes more visible, more human, we tend to fall out of love. In stages, most often, but out of love just the same.
A year after the sun stayed out all night, we wonder where the intoxication went.
The fact is, love dies in the light of day.
Usually.
When it lives on, when it grows in the realm of full disclosure and knowledge of the other person–when the more we know of the person whose hand we hold, the more we adore them – well, that is rare and wonderful and a force that defies the natural arc that begins with joy and ends with the pain of what might have been.
I believe that business is a metaphor for love. Our customers, our clients, must not like our companies, our products, they must adore them. And we must find a way to keep the love alive for years, for decades, forever.
The shooting star arc that kills romances does the same to businesses. I read today of a Broadway show that closed after two months, taking $8 million of investor capital with it. And I passed by a local restaurant that has shuttered its doors after five years, a victim of a similar failure that leads so many to wonder why relationships that once stood at the center of our lives, are now but distant memories.
Sooner, rather than later, everything must be subject to the scrutiny of the sunlight.
The question is, will it thrive or shrivel up before our eyes?
Mark Stevens
CEO
When we sleep, we can glide in any direction, slipping effortlessly into the past just as easily as into the future.
Nothing great ever happens in yesterday.
OJ
Similarly, if you look back at the once-stellar companies that topped the
A rather intriguing concept but the fact is – in the real as opposed to the theoretical world – you do wind up at the end of the room, banging your face against the wall.
It’s not the velocity that amazes, generally, but the frequency that is astounding, how we drive headlong into each other and spin out of control into a speeding stranger who turns out to be a friend and collaborator only to make others envious and determined to drive a wedge between us before we inevitably do so ourselves and then split like atoms into random parts that make new connections that form businesses or babies or maybe both enroute to who knows what as the snows fall on the Rockies and the makeups and the brakeups keep on coming and spawning false prophets and momentary friends seeking something from the winnings or the ashes and there is never a shortage of pretenders who will stand by your side as long as the coffee is hot and the Benz is new and it all plays out in a zillion horoscopes written with flawless predictability because romance will come and success will fly in the window on the 19th or the 31st and lust will give way to anger and the reset button will clear the decks for the passions to be reborn and the jealousies, petty and miserable as they are, will rise like the Sphinx to put an end to what was once a college bond that mellowed through the years until one very human event or action brought the house down and the bodies, to say nothing of the souls, into violent collision as the Beatles played in the background and the former competitors lay down their swords to form an even greater enterprise than either could on their own and then the Yoko enters the scene and the harmony is spelled l-i-T-i-g-a-T-i-o-n and the new allies and enemies form to battle the evil but there is none just the rise of HR departments so that would be colleagues that condemn each other in the name of water cooler conspiracies manufactured by the captains of boredom and the endless human force that brings us together and rips us apart for no reason but ego as nations pretend to go to war over principles when it is the leaders tilting at each other as Steve runs commercials belittling Bill because there are no traffic lights on this highway called life just a few people who in the end are precious and loyal and beautiful to us and in the final chapter when the wrecks are brought in for repair perhaps the car crashes of the human kind just get all the attention.
What if it doesn’t work?
Out of this red, white and blue soil came a weird outsider, socially unpopular, ugly to most, strange to all. An American misfit. A Keroac. A Dylan. A creature destined to live and die a long and predictable life, the wife of an oil man, about as famous as a tumbleweed.
We know him as more than the character played by Dustin Hoffman in the exceptional Barry Levinson opus. He is symbolic of the weird science creation we refer to as “idiot savants.”

